True Story is an American from 2015 mysterious drama film directed by Rupert Goold in his directorial debut. The screenplay was written by Goold and David Kajganich.
It is based on Michael Finkels memoirs of the same name and stars Jonah Hill, James Franco and Felicity Jones, with Gretchen Mol, Betty Gilpin and John Sharian in supporting roles.
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‘True’ ending explained: Maybe honesty isn’t always the best policy?
Kevin Hart plays Kid, a comedian who rose from nothing to become rich and famous, in True Story, his most recent Netflix release. Although the public may initially think this is fixable parallels with his own life, and while there are crumbs of truth to that claim (such as the intense, hectic schedules both Kid and Kevin face on a daily basis), it is mostly rooted in fiction.
By the seven episodes, viewers see things go from good to bad to worse as a tour stop in Philadelphia and a chance to see his brother put Kid in serious trouble that could ruin his career if it went public. The complexity of the situation grows as the story progresses.
What started as an attempt to cover up an overdose from a woman Kid slept with turns into a terrifying quest hide Ari’s body, a Greek mafia boss. Kid killed Ari after attempting to extort Kid for six million dollars in exchange for disposing of a named woman’s body.
Ari’s death sets in motion a chain of events that adds more and more tension to each scene as Kid and his brother, Carlton (played by Wesley Snipes), fight to keep things hidden from the public. As a result, Ari’s two brothers kill Kid’s superfan, Gene, who is framed by Carlton as a way to tie up several loose ends at once.
Unfortunately for Carlton, this backfires and Ari’s brothers discover they have been duped. In the last episode of the show, they attempt to confront and kill Carlton and Kid in a fit of rage. The boy and Carlton are trapped in a hallway with the assailants after a shootout at the Wells Fargo Center.
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Lucky for them, Kid discovers an opportunity to kill both of Ari’s brothers. Relieved, Carlton begins to discuss how he wants accept responsibility for everything before he was shot dead by Kid himself.
Review: True story
There is a lot to find here feature film debut by British director Rupert Goold, who gives a polished touch to a burgeoning ambidextrous subgenre: the dangerous journalistic interview. Two misfits meet in an Oregon prison.
Chris Longo (James Franco) is on trial for the murder of his family. The other character, journalist Michael Finkel (Jonah Hill), does looking for redemption. Longo used Finkel’s name as an alias to evade an FBI manhunt, which Finkel discovers not long after his feature film for The New York Times, based on fabrications, turns his byline into mud.
“beautifully made… In her formally objective documentary, Menna Laura Meijer shows a staggering cross-section of Dutch society and her always so emphatic search for direction and meaning in life.” @Cineuropa on NOW SOMETHING IS SLOWLY CHANGING: https://t.co/ScrwfbWA22 pic.twitter.com/T5RlLMNg6O
— True Story (@TrueStory_Film) January 4, 2023
You might think of a killer using your name as an alias as a semi-random act of convenience. However, certain personality types will see it as homage, spiritual kinship, and possible justification. In her classical study, The Journalist and the Murderer, Janet Malcolm dissects this type, advising reporters who find someone like Longo to “run and hope a more suitable subject emerges soon.”
The real Finkel wrote a book about his experience, establish a relationship of diminishing returns that begins with him saying to his doppelgänger, “I’ve been searching my soul a lot lately.”
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He then represents this series liar and would-be child killer: “Maybe you can tell me what it’s like to be me.” (See also: Memoiristic Narcissism Disorder.)
True story trailer
